Hi Robert,
I’ll try to offer as much advise as I can. I’m a little biased as you can imagine but I’ll try to do my best to be impartial.
I don’t know based on your question whether you do more building or repairing – so I don’t know which to address. We are a full service repair and restoration shop – so I kinda see things from that perspective.
Firstly – I think you probably expect this – but I would recommend the Proper Guitar Workstation. To me it is the ultimate guitar holder. It allows me to position a guitar in any position for virtually any repair I can imagine. Furthermore, as to your desire to work whail standing erect? I have barely bent over in almost a year – lol – To be honest – and this isn’t a sales pitch – I actually don’t get any $$ when someone buys a workstation – I hardly use anything else but the workstation any more. I use it in conjunction with the Crossover Mini if i want the guitar to tilt and spin (if you are doing structural repairs, it’s a must have). If I am doing fretwork, it’s typically in the workstation without the Crossover Mini.
A word about the Crossover mini – I helped design that tool – and it is , in my opinion, an indispensable tool – it will allow just about anything in your shop – vises, jigs, fixtures, whatever – to tilt and spin on any axis, 360 degrees. Once you have experienced that – there’s no going back.
The workstation and the Mini have changed the way I work – I won’t go on – but if I were designing my shop today, a year after the workstation was introduced, I would barely have any benches anymore. It would be all pedestals and workstations with rolling carts to use as tables to hold whatever tools I am using.
Enough of the workstation – I could go on for another 30 paragraphs – but I won’t.
The Pedestal is the ultimate in stability and adjustability. I think it is the best pedestal on the market. However – I will say this. You have to bolt it to the floor. When bolted to the floor it is a solid as a rock! If it is not bolted to the floor – even with the extensions – there will be a fair amount of deflection and wiggle. While it won’t tip over – there’s enough play there that I couldn’t work with it if it were not bolted down – that however, would go for any pedestal. Others have come up with creative ways for avoiding the bolts (bolting it to some other heavy base etc.) , but for my purposes – I prefer it bolted to the floor.
As to the vises themselves – the #7 is the most versatile in my opinion, it’ll grab a neck like the #5 or open wide enough for a body if you are doing neck resetting or body work
The #5 is the lightest and closest in functionality to the SM Big Red Vise (which I regard as useful as a boat anchor in a guitar shop). The #5 is nice an light but limited in t’s use unless you use it with the Crossover Mini – then it’s usefulness in positioning is multiplied exponentially,
The #10 is a solid vise – it’s a big sucker. Recent modifications he’s made to the 310 would make me hesitate to put that in my arsenal. It’s a great vise – don’t get me wrong. It has a front jaw that is stationary and a back jaw that swivels, like a traditional patternmaker’s vise. He recently changed the back jaw to limit the degree that it swivels – for that reason I think it has severely limited it’s usefulness (I told him as much – but it’s his company he can do with it as he pleases).
In any case – whichever vise you go with – and as I typed all of that – I still come back to the PGW – and to be honest – I actually rarely even use any of my other vises anymore if I’m using them to hold a guitar. I do use some vises while holding other pieces of work (parts, bridges, wood, etc.
regardless of which way you go – you are going to want to get at least one quick docking station – the ability to move around your shop and have multiple places to dock, not just your vises and workstation – but to free up bench space when you don’t need a vise – is priceless.
I’m worried that all of this probably just added to the confusion – I think it all boils down to what you are doing and how you want to work.
<font face=”inherit” style=”font-family: inherit; font-size: inherit; color: var(–bb-body-text-color);”>As a starting place – and this is just my opinion – I would </font>recommend<font face=”inherit” style=”font-family: inherit; font-size: inherit; color: var(–bb-body-text-color);”> starting with:</font>
– The Proper Guitar Workstation (complete package with the Quickdock and Crossover Mini
– The PGW expansion Package – if you want to do things like holding a body without a neck, neck resetting, string tension simulation and so forth
– A telescoping floor pedestal (If you can commit to bolting it to the floor
– A parrot vise plate – to bring your parrot vise into the Total Vise System – you actually have yet to experience how useful your parrot vise can be until you can spin it 360 degrees on EVERY axis
I would then stop there – you can always go back and buy some more stuff later if you want. My advice would be to then familiarize yourself with the system – get used to the modularity of it and the flexibility of it – having it in your shop will begin to let you see the possibilities.
If you have any more questions – feel free to ask them here – otherwise you can always reach out to me directly, here or through IG.
I hope this helped more than it didn’t ;0)