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Private member DiscussionElectric Builds

Electric build Tremolo bridge with Piezo options

Hi all! I am new here, and really excited to be a part of the community. I am starting a new build, a 6 string semi hollow carved top with Tremolo bridge and Piezo. I'd appreciate some input to choose the best system out there. I haven't used/fixed/installed a tremolo with piezo bridge lately. I am open to hearing if you have come across something lately and felt impressed by it. It's going to be a workhorse guitar for a touring musician.…

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Private member
Graph Tech have Ghost saddles for other styles of bridge too. Check out https://graphtech.com/collections/fender. You should get something that'll retrofit a two-point trem. Their Acoustiphonic preamp…
Private member DiscussionAcoustic Builds

Neck block for adjustable neck -thoughts on design

I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…

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Not really answering your question but I've done a version of the Smallman/Gore joint (I think it's really just Smallman but whatever) on all my guitars (nylon/steel/gypsy). I'm not particularly conc…
Private member DiscussionAcoustic Builds

Any helpful tips with bar frets?

Hello, One of my commissions is coming down the pike and it's going to be my first time using bar frets. I could use a once over for any helpful tips if you have any. About the guitar: Aged HD-28 but mahogany back and sides. I think Martin called this a HD-28 M? Skipping the truss-rod and using two carbon fiber strips. My process for Frets: 1: I CNC my fingerboards to a 16" radius and for T-frets I use a .023" to cut slots with a mat…

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Ian Davlin
Depending on the carbon fiber strips and the gauge of string, you're compression may be moot, or at the very least, a fairly subtle factor. I would do a lot of testing before you glue the neck on to t…
Private member DiscussionAcoustic Builds

GoBar deck adjustment

Hi folks, I thought you might be interested in this approach to having easy height adjustment for a GoBar deck. I learned this tip from my buddy, Don Parker. He lurks around here too from time to time. :) The basic idea is rather than having a booster platform on the base for use when gluing braces to plates you bring the roof down lower. There is a 3D printed spacer in black in the pics. I linked to a downloadable STL and 3MF of…

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Just FYI, as far as I know, go bars have the same clamping strength no matter how much they are bent. If you want a different level of force, you need a heavier go bar. Or vice versa.
Private member DiscussionElectric Builds

Nut slot and action trouble

Hi everyone - I recently ran into trouble making new nut for one of my necks that needed to be trued and re-fretted. I roughed in the nut as usual and then, with the bass guitar fully assembled and strung up, I started cutting the slots to depth. I use the StewMac digital nut slot depth gauge and have had good results in the past. I marked the nut's lowest points (radiused) using the guitar nut scribe tool (first time using this!) and c…

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Ian Davlin
That's actually not how that tool was intended to be used. That is essentially plotting a like to the top of the fret. With a bass, you would need much more than that. When James and I came up with th…
Private member DiscussionAcoustic Builds

Trevor Gore on tucking top braces into linings

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

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That makes a lot of sense -- thanks. And yeah, I build for fingerstyle -- especially with OMs -- so that may be more of what I want. I'm building just for myself right now, so I only need to please my…
Private member DiscussionElectric Builds

What really effects tone?

Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…

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I'm not an expert electric builder but I think I'd go something like pickups 70% Body type (archtop/solidbody/variations thereof) 15% setup 10% vibes 5%
Private member DiscussionAcoustic Builds

Upper Bout Soundport

What support or bracing is common around a soundport that is placed on the upper bout at the edge of the instrument, where the lining or kerfing typically holds the guitar together? I've been able to find info on direct top or side upper bout soundports, but I haven't had much success when looking for the support structure once you've cut into both the side and top. Any resources or tips would be appreciated.

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Hey Cory, Here is my method which came from Sergei deJonge; I add at least one layer of lamination materiel on the inside of the rim behind the location of the soundport. Must be done prior to gluing…