Reputable looths in Albuquerque, NM? A buddy of mine needs work on his mid-60's Jaguar. I know it's missing a saddle and needs a general going-over and a setup, nothing major. But it's a vintage instrument and it's his baby, wants to make sure it's in good hands. Who do we know out there?
Hi all, I'm new here. I've been playing guitars for ~15 years and recently started as a technician at a music production school in London, where part of my job is maintaining the guitars.
I picked up this 50s parlor nylon the other day and it's in bad shape but I don't know how to go about repairing it.
The main issue is the bridge. The guitar was kept high strung and the bridge has twisted and lifted off slightly at the base. T…
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So now put the iron on low, heat the bridge for at least 5 minutes, then take it and the insulating cardboard off, and see if you can begin to work palette knives under the bridge. If it's not relativ…
I have a 74' D-28 im working on, just curious what you guys do in terms of process steps. Right now, im setting the angle, without frets(I reinforced the square tube rod with carbon fiber and will need to refret once put back together.) Do you guys shoot for the straight edge hitting the top of the bridge with, or without frets? Im wondering if I should undershoot my bridge just a touch so that then I can fret and have a good saddle hei…
Hello Friends,
I've had a vintage Epiphone acoustic stored at the shop for almost two years and it's about time to wrap it up. That never happens, LOL.
It has a few loose braces, which is a repair I've done in the past. The problem with this one is that no matter how I jack up the loose braces from the inside, some parts of some braces simply do not move enough to come in contact with the soundboard. This is happening in a couple…
Does anybody have any cool tricks to get a closer rough in saddle height when making a new saddle without the option of referencing the old one? Ex: replacing a lost saddle, making a saddle after a neck reset, making a saddle for a new bridge
Hi, I have a 1950's Gibson LG-3 that's had some poor work done to the spruce under the area of the bridge where the spruce has pulled away and or been sanded excessively. It's missing about .020-0.30 thou of spruce and I'm wondering/looking for advice about how to go about splicing in a thin piece of spruce before I re-glue the bridge. Please see pictures attached. My main questions are: glues for the patch, should the patch be mitered…
When faced with a similar job recently, I chose to glue the patch in place with epoxy, then used hide glue to reset the bridge. The logic being that 20 years from now when someone needs to reset the…
Hi everyone - I recently ran into trouble making new nut for one of my necks that needed to be trued and re-fretted. I roughed in the nut as usual and then, with the bass guitar fully assembled and strung up, I started cutting the slots to depth. I use the StewMac digital nut slot depth gauge and have had good results in the past. I marked the nut's lowest points (radiused) using the guitar nut scribe tool (first time using this!) and c…
That's actually not how that tool was intended to be used. That is essentially plotting a like to the top of the fret. With a bass, you would need much more than that. When James and I came up with th…
Santa heard I had a challenging year so he got me a 3d printer for Christmas. I’ve been printing like crazy, learning the machine. This has resulted in a bunch of tools that either don’t work for me, were attempts at mixing colors, or have very minor printing blemishes. Two lots up for grabs to anyone in the US who wants either. I’ll mail to you for free. First one to claim each gets it :) First lot has parametric nut and saddle sanders…
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Lot #1 still available. I'll likely be adding to the lot as I print and eff up but still make usable prints.
I recently picked up a Sterling Atlas 12 string that is in excellent shape except for some bellying, which once I get into setting action, may determine if I need to add a ‘bridge doctor’ to remediate some of it. However, I noticed that the saddle (adjustable but set to lowest point) has no curvature and there is not much down pressure on the center sets of strings which is causing some buzzing. My question is this (my first 12 string p…
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Thanks again to those that lended their wisdom. Bridge doctor just came in plus some bone saddle blanks so will get ready to tackle that project in near future.
I have a Yamaha Classical on my bench that's giving me a run for my money with a mystery intonation issue. All but the B string are perfectly intonated with the usual compensations we see. The B string however is almost an entire 1/2 step off (sharp) at the 12th. Right from the get go the scale starts going sharp incrementally at every fret. I can find the fundamental harmonic on that string but it's sitting halfway between the 11th and…
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I recently had a similar experience with a Yamaha classical, only in my case the B string was flat at the 12 fret. This was with a new set of name-brand strings. The harmonic was almost halfway to the…
when setting up acoustic guitars, from time to time I have a lot of trouble with getting the G string to ring true when fretted. Starting from lower frets and at its worst at about the 5/6th fret, the G string buzzes when plucked "heavily" (when no other string does so)...most recently a Taylor 724 which had a neck adjustment to reduce action (to 5/64-4/64), relief about 0.003 or 0.004. Increasing relief to about 8-9 helps somewhat.…
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Depends on what you are calling a "buzz." The G3 at 196 Hz is going to be very near the T(1,1)2 main top resonance of the guitar. Notes fretted up higher on the G string could conceivably be near th…
Hey all, I’m curious to know people’s general thoughts on the appropriate or ideal saddle height after a reset. And, when to replace a bridge that’s been shaved down. I know there are a lot of factors (for me anyhow) and this question could open a whole can of worms when it comes to the specifics of the guitar, its age, style of bridge and desired sound. I’m providing an example I encountered recently, but would also like to know people…
Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…
I'm not an expert electric builder but I think I'd go something like pickups 70% Body type (archtop/solidbody/variations thereof) 15% setup 10% vibes 5%