The Hub

A customer brought in a Gibson ivory top A3 mandolin. It's in good shape and has all the parts. He found it at the local thrift store here in Bishop. He wants it mechanically sound. Here are the problems: 1) Everything that comes into the shop has a shrinkage component and the effects of course very from instrument to instrument. This instrument is no exception and the results of that shrinkage, in this case, are severe. The top, ba…

Since most of us fix or make guitars, we have probably heard something about the cease and desist letters Fender has sent out concerning the Stratocaster. I thought I would offer some thoughts. As always, caveat emptor. There are three basic ways to protect intellectual property under Federal law. Patent, trademark, and copyright. Each protects different things, and has different underlying legal theories. Lets begin with pate…

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

So, I made a modular clamp based on the split clamp idea. Started on a prototype about two months ago and finished it. What I was aiming for was a clamp that I could use on the BOTTOM of acoustic guitars as well as tops to clamp cracks, cleats, braces, patches etc. Especially a clamp that would access small openings like "F" holes, small sound holes etc. Essentially a way to get a clamp to areas not accessible to jacks, wedges etc.,…

Hi, I'm wondering how to achieve this color on a guitar. It's Sparkle Burgundy. I suspect the clear varnish has yellowed with age, which is why it has a coppery effect depending on the light. Can you recommend a varnish to achieve this effect? ​​Should I use a UV lamp after varnishing to age the varnish? Thanks in advance for your help.

I would really appreciate some advice on this repair that I need to do. I've built a number of (classical) guitars so far, but this is my first repair job. I have already set the expectations with the customer that I can probably fix it structurally but the repair will be visible. The guitar is modestly priced and of no historical significance so it seems like an ideal project to take on as a first one. The guitar suffered a blow on the…

Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…

This may have been covered in any number of vids by Big Daddy Proper or Paw Paw Erlewine, but I wondered how flay everyone goes when it comes to fretboard prep and refrets. For example, I currently have an old 70s SG needing a refret, Ive begun to flatten the board. I have some low spots in the middle of some frets in "cowboy-zone", but the actual fret slots are all being touched by the leveling bar, and thus, level. This is usually whe…

I'm looking for the name for the door curtain material that is heavy, thick, and clear. I've seen it in old industrial shops and high school wood shop circa 1970s. It can be seen in the Frank Frank Tour of Gryphon in the doorway to the tool room. My search terms don't seem effective. Tom

I have a client who is going to paint a ES-335 kit guitar (Maple top and Back, Mahogany sides and neck). She will be using an Acrylic (Jesso) matte primer and then painting the entire guitar with Liquitex Acrylic water based paints. Poly finish on top of that. What steps do I need to take to prep the neck and body for painting? Sealer then grain fill then seal again? What products would you use? I have never done this before and am looki…

Hey all. I have an '82 Ibanez Roadster bass on the bench. The bridge pickup is their Super J4. My customer wants to tame the noise as much as possible. I've shielded the cavities to minimal effect so I'm thinking of wax potting it but before I do I just want to ask your opinions. The bobbin is quite thin and I don't know what kind of material it's made from. Having watched the Kent Armstrong video where he mentions that old DiMarzios sh…

Hello All. I'm new to the group and a beginner in terms of building (only built a couple so far). I was hoping I might gain some insight on the effect bridge type has on tone on a solid body guitar. I have been building guitars with hardtails but I'm curious about wraparounds. Of course, with hardtails the whole device is screwed to the top where the connection on a wraparound style bridge is not as direct being held up by studs. Any th…

This is a simple but effective setup for cutting fret slots quickly and accurately. Ryobi table saw with a crosscut sled and saw blade with a kerf to match fret slot thickness. The sled has an indexing pin for using fret scale templates with notches. The blade alone sells for $163 on Stew Mac. I also have another blade for sale.

Hi all, I'm experiencing a problem with finishing a steel string guitar. After spraying a sunburst with Colortone liquid stains diluted in thinner (which I left curing overnight), I sprayed a very thin coat of SprayMax 2K Clear coat (https://www.spraymax.com/en/products/product/clear-coats-and-spot-blender/2k-clear-coat/) and, to my horror, saw some of the black paint disappear. The amount of SprayMax I sprayed was very little, yet some o…

What size do I need for gluing acoustic bridges (5"? 6"?) and is there cost effective source for these? Thx!

Initial frequency analysis of this D28 copy (done with a temporary 35g bolt-on bridge and the back plate taped on) is VERY LOW. Main air resonance 83.5hz and top monopole 156.6. It's standard Martin scalloped X-bracing with a torrefied Adirondack top. Since I can still easily access the bracing, I'm thinking of going in and laminating wood on top of the X brace to stiffen it. Other options would be a very light bridge, though I'm not…

I'll start by saying I don't post much because it's confusing to know if I should post on this site or the Patreon site, both are hard to navigate, etc. Also, I sent this question to the last "elder" meeting but I have no idea what the outcome was (I thought there would be some answers documented for those that can't attend live). So, with those frustrations out of the way... I have in my backlog a 1988 PRS Studio. It has HSS pickup c…

Just starting to research these items, so forgive the noob question/s… Can these two items be combined? I.e. could one fasten the Erlewine neck jig to the Proper workstation? Or are they two completely different items? Does the Proper workstation allow you to do fretwork under string tension, or is that only on the Erlewine jig? Or could you possibly buy both items, then switch them out on the same mounted post? My primary issue I’d like…