The Hub

Straight Frets in Austin has an excellent full-time position opening up soon. The job pays by the job, and equates to $70-85K a year for a tech that does: *neck resets *structural repairs *bridge making/reglues *refrets *headstock breaks with splines/airbrush We work on about 1,350 guitars a year (about 28-30 a week) and have had work shipped in from 22 different states at this point. We also teach setup classes on…

Like many of us, I work in a small space - a quarter basement with maybe 6 -1/2 feet of headroom. Sawdust is a problem. There’s no room for an extensive ductwork system or a blower setup. My shop tools (bandsaw, drill press, vertical belt sander, etc.) have a 1-1/2 inch connection for vacuum, but I have mostly been too lazy to use them. (note that I finally added a portable shop air cleaner with HEPA filters). When the most recent Wo…

Hi everyone! I'm looking for advice about heat treatments for a warped neck, I know they are a thing but I've never actually done one. I have an Epiphone Les Paul in the shop that originally I was only going to do a level/crown/polish and a setup on, but when I tried to adjust the truss rod and checked the fingerboard with a straight edge I noticed there was about .030" of relief in most of the middle section, which was pretty consisten…

I'm wondering if people have advise on ways to be productive when having to work in multiple locations. Particularly curious about tool organization and portability strategies. I share one shop about 45 minutes from home, but also do some work from home. Mostly repair and setup stuff at home and building/more involved repairs at the shop. Some tools and supplies are simple enough to have multiples of, but for others it gets really expens…

I'm the proud new owner of a "new to me" Fireball Meteor CNC machine. It feels really odd to have a computer in the shop but I guess I need to get used to that. Fortunately for me, I am well versed in CAD, unfortunately not so much on the CAM side of things. My 3 kids are all experts and are steepening the learning curve dramatically, this would be overwhelming if they weren't helping. So far I'm using the Fusion 360 personal use versio…

Two pieces of maple, each of which were measured beforehand and then cut up and epoxied back together to keep things as consistent as possible. Even the orientation of the grain was the same to avoid any impact of vertical vs horizontal grain lines. The plain maple had one layer of 300gsm 12k unidirectional carbon fibre between each piece, the flame maple had two per lamination, which may be why it sees a smaller gain afterwards? Lots m…